Producing

Circle

A forty-year-old filmmaker builds a film around two strangers in New York who mistake each other for old friends. As she rehearses their alternative lives in Beijing, she confronts the distance between the life she imagined and the one she actually leads.

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Circle conceptual poster: a red figure stands in a doorway within a large blue circle on a cream background.
A silhouetted figure stands in a doorway amid blue light and other people.

Lacuna

Athens, Greece. When Alex revisits her hometown for the first time after moving abroad, she heads to a party solo, in an effort to reconnect with old lovers and friends. What she finds out there however, is that she’s started fading away from the minds of those that once meant the most to her.

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A man in a striped shirt facing two young people by the beach, one holding an ice-cream cone.

My Dad Doesn’t Like Ice Cream

A young boy, captivated by a kiss he sees at the beach, wrestles with his parents’ emotional distance and the meaning of love - as a surreal chain of events exposes the fragility of human relationships.

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A child smiles and sticks out her tongue toward the camera, with two women seated behind her in a kitchen.

Of Silence and Song

An Asian American single mother struggles to receive an abortion in Texas. Throughout her daughter's birthday, secrets are revealed and three generations of women come together.

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Two figures embrace beside a sunlit bathroom window, partly veiled by a sheer shower curtain.

Anti-Venom for a Snake

Queer love and loss at the height of the AIDS epidemic, Anti-Venom follows Marcos, the voyeuristic drag artist by the name Evita Envy, as he copes with the loss of his soulmate and his own weakening body.

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